13 April 2020, 14:45 | Updated: 29 April 2020, 12:59
The gear I’m using as a stock epiphone sheraton II, an old Marshall 5203 and an Ibanez CS9.
Newer Post Older Post Home. Any ideas what to have the EQ settings and presence at on the amp and the CS9 settings?
AMP: (rhythm track) Four c. 1965 Fender Twin Reverbs with two 12-inch Jensen C12N speakers (Vibrato channel, Input 1, Bright: On, Volume: 6, Treble: 7, Middle: 7, Bass: 4, Reverb: 5.5, Speed amps 1 and 3: 1, Speed amps 2 and 4: 6, Intensity: 10); For slide, lead and harmonics parts turn up reverb control to 7 and turn vibrato effect off I'd like to thank for this wonderfull site and the great job you did. With plenty of clean headroom at high volume and a particularly good-sounding chorus circuit, the Roland JC-120 Jazz Chorus transistor amp was an important part of Johnny Marr’s live rig since The Smiths’ first major tour of the UK (along with more traditional tube amplifiers, such as the 1956 Fender Bassman above).
Those settings work on a Twin and a DRRI, so I'm guessing it should be about the same for your amp as well.
Created a new preset for my Mustang GT amp with the Fender Tone app! Amp settings [GEAR] [NEWBIE] Thanks everyone for the feedback on my first post it exceeded my expectations! I'm an intermediate guitar player and recently bought a Fender Champion 100 amp, however I'm struggling to find a tone I like.
These are The Smiths guitars: Rickenbacker 330, Rickenbacker 360 12 String, Gibson 355, Gretch 6120, Gibson Les Paul Standard, Fender Telecaster, Custom Green Telecaster, 1963 L-Series Fender Strat, Gibson 330 12 String, Martin D-28 Acoustic, Martin D-28 12 … Johnny Marr’s name is synonymous with guitar playing, though these days the one-time sound sculptor for The Smiths thinks more like a singer and a lyricist. Reel Around The Fountain ... Great vid here, Johnny talks about his amp/ settings/ tone etc.
For this lesson I was determined to get to the bottom of things, and so off I set on a geeky, sometimes gruelling, odyssey into the heart of Johnny Marr’s amazing guitar playing. This Charming Man by Johnny Marr/The Smiths I’ve been playing and teaching this song for quite a few years now, but I’ve always had the nagging feeling that I wasn’t getting it quite right. The Bigsby was the first successful design of what is now called a whammy bar or tremolo arm, although vibrato is the technically correct term for the musical effect it produces. The Dano French Toast is probably the best pedal to approximate the sound, but not very reliable being plastic and all.
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